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The Three Hares

25 Apr

may that which is unified and whole

find its expression in you

 

may all things coming in and out of being

be encouraged by your presence

 

may you be a source of blessing

for all that is unfolding and awakening around you

 

may you find yourself as the center of a vast circle of light

recognizing no distance or barrier

 

may the eternal dance resonate in your holy body

as your voice fills the longing of the universe

 

~janet balboa 

 

 

A dull person will suddenly become interesting…

29 Mar

Faeries-janetbalboa‘A dull person will suddenly become interesting…’ A writing prompt from The Pocket Muse by Monica Wood. I read it as I sit down to write this. I insert it in my post as the title. Trusting that it has shown up for a reason. I’m into magic like that. Coincidence you might say.

I’ve spent the last couple days in the dirt weeding gardens, and finally, I think, winning a perennial battle I’ve had with the long grasses that keep popping up unwanted through my lilies. Unannounced, I drift into a state of being where my doing arises out of what needs to be done next and nothing more. Thoughts arise, are acted on and then dissolve. I am me, but also larger, more conscious than me. This is what I imagine people in deep prayer, meditation, or the athletic ‘zone’ experience. I feel this when I’m drawing as well. No attachment to thoughts/things = bliss. I feel connected to whatever IS, without a need to define it, bottle it or claim myself sole dispenser of it. I am honored and delighted by its Presence. This is a nice space to be in, this space of just being. I could, in fact, happily stay here forever, as Eckhart Tolle must have felt sitting on his bench for weeks, just amazed by the lovely spectacle of life. As much as I try to, I can’t stay in this frame of mind. As I leave the garden, my ordinary experience of time returns and I find myself slowly separating from heart wide open Presence to the pale cramped residency in my head.  As I return, I’m just in time to hear the voice in my head say ‘…and I’m telling you, day dreaming will get you nowhere. This bliss is childish, non-productive – it’s time spent with the faeries!’

My little inner critic, who makes up for dullness with vigilance, who hates everything I do and feels compelled to inform me how rotten it is/I am is eager to share his view. I’m not as attached to this voice as I once was, and curiously, I find it often gives me many far more interesting things to wonder about. In this case, faeries in general and more specifically, Irish fairy tales.

In which we find that one day spent with the fairy folk is the equivalent to the passing of 100 years in human time. Hang out with the faeries at your own considerable risk. I think of another 100 years’ period – the length of time Sleeping Beauty slept after she pricked her dainty yet cursed finger on the spindle. (The humble spindle, the women’s wand, a woman’s highly regarded possession, considered a symbol of contemplation, and of woman’s powerful gift to the family; the art of weaving being equivalent in import to men’s heroic warring in the ancient world) That aside, her father, The King, had all the spindles in the land burned, while in Ireland, the Sidhe, the once mighty people of the Goddess Danu, have been relegated to whimsical faeries who dwell in the Irish Otherworld.

And so, happily ever after, never again can this idle fairy dream-time threaten our reasonable existence.

Whatever.

Walt Disney spoke of the Magic Moment; that eternal second when your heart stands still in absolute wonder and awe. Joyce called it aesthetic arrest. Campbell called it Bliss. You feel it when you’re in love. Religions fight for the right to get you in touch with it. Millions of meditating man and woman hours, currencies worldwide and vast amounts of energy are spent on developing mindfulness. Awareness and Enlightenment are pursued hotly as worthy goals. Creatives search after the Muse and creativity almost religiously. And yet this Mystery, this place of bliss, of Eternity, where time stands still, this space is embracing us, holding us every moment of every day. It isn’t a goal or a destination or an attitude.  It’s just the natural state of being. It just is. Which leads me to wonder…what would happen if my inner critic, who works a lot of overtime, were joined by my inner feminine?

I feel the hundred years ending. The beloved is waking up. She doesn’t look so happy.

And suddenly, magically – you might say ‘in the twinkling of an eye’ –  I sense that my exceedingly dull inner voice is about to become very, very interesting.

 

 

 

Banished

10 Oct Banished janetbalboa
Banished janetbalboa

Banished c.janetbalboa2015

Roberto (my darling husband) posted my finished picture ‘Banished’ -on FB last night. Which has prompted me to write about it a bit sooner than I had intended.

I usually take time to sit with my work after it’s done. In a way, I meet my picture for the first time in this way. Before, it has always showed up to our meetings in a state of incompleteness. This in-the-process-of-being-finished stage of my art always has a lovely feeling of potentiality and possibility. Things can still creep into the drawing, it is still very much in process and dynamic. When I see my work framed and behind glass, it is finished. Complete. An object now, something I can observe in its final state.

I form opinions, observations, see it differently than when it was a work-in-progress. My work starts with a curiosity, a wondering about something and then over the course of months, I literally draw out my answer. It unfolds and reveals itself to me in the forms and colors and images that present themselves while I work. So I never start with a complete picture- I always have an image to get me started. Then I watch it unfold. I suppose it is similar to when characters begin to perform actions and demand scenes that surprise and delight their parent writers.

It’s because of this that I reflect after the picture is done- what was the answer to that question I had so many months ago? Have I changed to accommodate this answer? I believe with Rilke that we must be able to live our answers – and until we can, be content with loving the questions themselves. Often times the answer comes slowly as understanding born of research, insight and conversations are composted and turned over in my mind.

I am often asked what my pictures mean. And as you now know, they are personal answers to my personal questions. My experience and work with the symbols and images gives them meaning. But because my questions are similar to questions that many of us have, they also have a universal answer – and therefore we share meaning. The meaning resides in you, in how active the same symbols and archetypes that activate my questions, are present in you. Your life experience will bring different interpretations – are these any less valid? Anything that stirs the heart, moves the soul, causes us to wonder is a healing balm in our world of concretized dogma and instant answers.

Learning to trust ourselves fully and allowing our hearts to soar, far out on their strings – or on our sleeves –is letting our vulnerability touch and be touched by the world. We are big enough, encompassing enough, wise enough to enfold ourselves in our own healing embrace. Internally strong we come from our center; our unbreakable connection with the Mystery of our Being as it moves through time and space in the intricate and lovely vehicle called ‘me’.  You. Us. One of a kind magic.

This is what I wrote this morning on the information card I include with all my work. Each card relates to a specific picture. This is the card for ‘Banished’.

banished info card

It says:

banished As a culture, our inner masculine has devoured the action oriented Hero archetype- forgetting that the journey finishes with a return if it is to be a true journey. After the deeds are done, the lessons learned, the actions taken, the hero puts down his weapons, leaves the field of action and returns home- ideally giving back to the world the hard won truths. If everyone is off on this hero quest- who is keeping the metaphorical home fires burning? Who is there to welcome us as we return? We have overlooked- banished- the feminine; the receiving aspect of ourselves. Our inner feminine; the receptive, intuitive, inclusive and mother (an entire half of ourselves) has not been allowed a conscious or empowered place in our bodies or minds for thousands of years. The goal of the hero’s journey is the return – to society, integration, relationship – the world of feminine nature. The achievement of balance between both aspects of our nature allows us to become fully, beautifully, incredibly human.

Image

it’s your lucky day!

17 Mar

Happy St. Patrick's DayFeel free to share…may your day be full of magic!

drawing the neolithic way

9 Jun janet balboa, Anam Cara detail, marker and colored pencil, c. 20014
janet balboa, Anam Cara detail, marker and colored pencil, c. 20014

janet balboa, Anam Cara detail, marker and colored pencil, c. 20014

 

These things always start off poorly. At this point I’m a bit panicky, because it looks more like a dessert rather than rock.  I stay with it, knowing that if I throw enough color at it, it will be fine. If in doubt, add more. (color, coffee, nutella…)

 

janet balboa, Anam Cara detail, marker and colored pencil, c. 20014

janet balboa, Anam Cara detail, marker and colored pencil, c. 20014

Getting the lines of ochre and sepia in, and the grey speckles. So far, everything in marker. The inner lines are outlined in black, so the point of this  is softening  up the black indentations and flattening them out visually. Nevermind the resemblance to  intestines. Or worse.

 

janet balboa, Anam Cara detail, marker and colored pencil, c. 20014

janet balboa, Anam Cara detail, marker and colored pencil, c. 20014

 

Now. Cover over the whole thing with a white pencil. rub most of the pencil off with a piece of kleenex. (beware the kleenex with the lotion!) then go back over the lightest bits with cream pencil. burnish again: if the kleenex isn’t ratty by now, push harder.

 

janet balboa, Anam Cara detail, marker and colored pencil, c. 20014

janet balboa, Anam Cara detail, marker and colored pencil, c. 20014

 

More colored pencil: Add in all those little veins with french grey 90%. Sienna, Light Umber. I speckled the entire thing with warm grey 90%. popped up the white with chinese white. I also added Rust(colored pencil) haphazardly across the top – partly because it gives a look of granite but mostly because I’m never really sure when something is done.

janet balboa, Anam Cara detail, marker and colored pencil, c. 20014

janet balboa, Anam Cara detail, marker and colored pencil, c. 20014

And there it is. A spiral cut into rock. Just like they did it in 10,000 BCE. ;)

Here it is in the overall picture:

janet balboa, Anam Cara detail, marker and colored pencil, c. 20014

janet balboa, Anam Cara detail, marker and colored pencil, c. 20014

 

a rainy day with prismacolors

2 Jun Janet Balboa,Anam Cara detail, marker and colored pencil, 19" x 24" c. 2013
Janet Balboa, Anam Cara detail, marker and colored pencil, 19" x 24" c. 2014

Janet Balboa, Anam Cara detail, marker and colored pencil, 19″ x 24″ c. 2014

Janet Balboa, Anam Cara detail, marker and colored pencil, 19" x 24" c. 2014

Janet Balboa, Anam Cara detail, marker and colored pencil, 19″ x 24″ c. 2014

Janet Balboa, Anam Cara, marker and colored pencil, 19" x 24" c. 2014

Janet Balboa, Anam Cara, marker and colored pencil, 19″ x 24″ c. 2014

 

A rainy day put to good use. I’m headed out for coffee…and some friendly faces. Bought a new burnisher, colorless. Don’t know if I like it as much as burnishing with a pencil itself, seems to leave   a lot of wax.

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