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What I love most about teaching

15 Sep

Tools of the TradeWhen my student is beyond excited. When they have that look in their eyes. When I know that something clicked, an alignment occurred with their soul. We are together for an instant in this blissed out moment that feels like the entire universe exhaled an immense and satisfied ‘YES!’

Last week, Jim asked if he could take his picture home to work on. He was so excited to show his parents his work in progress. He’s been in class close to 16 weeks, developing his style; drawing, painting, penciling what he loves- reptiles, lizards and snakes. He is a walking encyclopedia on everything reptile. He is also a connoisseur of morning glories. His enthusiasm is contagious.

Recently, he’s adopted a new tool- Derwent Inktense Ink pencils. He uses an easel, inventing his style of working as he goes- experimenting with different papers, pencils, techniques…and last Thursday- BOOM! Lightning struck and he was hooked. The muse had him by the tail and it was just the coolest thing to witness. He grew exponentially, expanded beyond his old story of his ability and I was able to see THAT MOMENT.

‘Oh wow’ he said to himself, looking at his picture, his hands full of pencils and paintbrushes, ‘I love this. I love this.’

When class was over, as he’s walking out the door, I saw that he also had the case of the studio’s Derwent pencils. Around $150 worth of these amazing things, cradled to his chest.

So I’m like, ‘Er…you’re taking the pencils too?’ A bit hesitant to let these things walk out the door.

His face was absolutely shining, as he said so seriously – “Yes! I promise I’ll be careful with them. I promise! Is it ok if I borrow them, since no one else is using them?’

In that moment, I could see the monetary value of those pencils was absolutely nothing compared to the value that they had to him, this gifted 13-year-old artist who had just discovered an entire world of wonder and awe in a case of pencils. We had discussed the price of him buying the exact set earlier in class that day, so he knew what he was asking.

‘Yes.’ I said.

He didn’t even say thank you or goodbye, (which he does every time, because he’s a polite and gracious kid) he instead just turned and floated toward his mom, clutching the pencils and his drawing.

Is that not connection we’re all longing for? A direct pipeline to joy? This is what is sustainable. Find the things that expand you, that inspire you to become more of who you are. It’s not about ‘Am I ‘good’ at this or any other external marker. It’s about what fulfills you. And that is always an inside job. How do you find a way to let the radiance out? What is it that tickles your fancy, that you do just for the sheer delight of exploration and creativity?

‘Oh wow’ (you overhear your soul say), ‘I love this. I love this.’

And honestly, it feels exactly like the entire universe is exhaling an immense and satisfied ‘YES!’ -through you.

I love prismacolor faces!

23 Mar

I think she’s here. Have another layer of white pencil to do- that’s it for her face, I think. It for now anyway.

Excited for background- purples, fuschias, lime greens…

Have these gorgeous tapestry scarves- I photographed them in the airport in Puerto Vallarta, Mexico. So some inspiration for the foliage on black background.

Work for this month

25 Apr

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Dawning of Aquarius. Marker and colored pencil on marker paper. 11 x 14
So much color. Love it. Getting ready for a show in July.

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Eraser Magic

7 Jan

As if by magic, but actually by eraser, her hand is gone. It was awkwardly coming up from the lower left hand corner, and was weirdly small. This is another thing I love about this technique: eraserability (no, not actually a word says my spellcheck. really? It’s perfect.) The ability to be erased. Nice.

Anyway, using the Verithin pencils is also helping- they are hard, unlike the regular prismacolors, so not as much pigment stains the paper; allowing for easier disappearing acts.  This is also marker paper which is very forgiving when it comes to erasing. I also have a very light hand and tend to deposit colors slowly, building them up gradually in intensity.

Indeed a work in process. It was (as always ) meant to be a simple practice, but it gets carried away with itself. I’m not sure if I’m going to outline everything in India ink either. Big style change? Don’t know. But a completely different technique; which means that I have no idea what it’s going to look like. I know what I would like it to look like- from a color perspective- but what I want and what I’ll end up with can be very different.

 

 

 

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janetbalboa2016

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