Here’s the deets: Colored Pencil Technique Janet Balboa
MON 10:00-11:30am $114 for 7 weeks; $65 for 4 weeks (1.5 hour class) Crystal Lake studio
Explore the magic of colored pencil! Each week begins with a short demonstration and technique practice, followed by guided time to apply what you’ve learned in a small, finished piece. This class is ideal for anyone eager to deepen their skills and experiment with color, layering, and texture.
Step by step class to expand your art skills with instructor demonstrations.
So – I couldn’t wait- wanting to SEEEEEEE how this was gonna look IN COLOR. I just started watercoloring before this picture is even finished. (I have never watercolored over graphite on such a big piece. (16 x 20) Yikes.)
I always find new approaches inherently risky. And that’s why I opt for it, artistically, anyway. It pulls the rug out and makes me think on my feet. Use what I’ve got: Paint that’s lying around. Relying on my extremely rusty watercolor skill -set. Possibly ruining a picture that doesn’t really need any paint at all…
i also think- God knows that as I’ve been Arting around since forever, I’ve got a vague idea of the way forward, yet do not feel confident about my skills, this new thing I’m trying, and so I am finding myself disoriented.
(The fact that I have this gorgeouscompilation of DANIEL SMITH watercolors just languishing is a huge motivator. The colors are so amazing. I got them 2 years ago, courtesy of a much appreciated Christmas gift certificate. I’ve decided to use them for this picture.)
Anyway, as I’m painting, my picture goes through my typical arc- The it sucks or crappy phase- which for me, I’ve learned, is often the most productive part of the creative act. It actually makes the risk more of an adventure as both my right and left brain come online together.
I know why I don’t feel right about it:
I dislike it because it doesn’t look like what it feels like in my mind. I don’t know what to do next. I’ve lost the plot.
What to do? I mentally refresh all the feels by re-visiting these 5 questions, the exact same ones I asked myself as I was composing this picture several months ago;
Which way is it?
Where will things be placed- and why?
What are the most basic shapes?
Where is it?
Are there any?
Wondering about the basic premises I started with allows for a kind of hyper- focusing, and I can ‘see’ a way forward, a technique, a process. In other words, I know exactly what to do next.
I’m mighty glad I sucked it up and went out on the proverbial limb and was able to catch the next neural branching. Growth, learning, and expansion become possible mainly at the boundaries. The ecotones between what I know and what I don’t know. The fertile ground of possibilities.
Which is leading to a type of NEW YEARS.
RESOLUTION.
How about this: To make it a habit of mine to dwell here among possibilities, the unknown – and then choose the courageous thing. If it’s true in art, is it true in life?!☘️
Happy New Year
May you be merry and bright🩷🥂💃🎂🙏🤣🐈⬛❄️❤️🐖🖍🤪😜🤣🧸☔️🔥🔥🦄
The foundation of my teaching! A cute little infographic❤️
I have had someone ask me to draw Merlin. So I am practicing. And this is how I practice. Grab a magazine cover and the markers. I chose this cover initially, because I loved this man’s intense stare, thinking that to my mind, a Merlin may in fact have a similar countenance.
This is only the cover of the magazine. I work it Creative Arts, a local art studio, and we devour magazines for portrait and gesture studies, so more often than not, the magazines rarely survive intact. After I had finished, several students and I tore the place apart hoping to find the rest of the magazine. We found the contents page, mostly covered with acrylic paint and marker, apparently a well loved palette for the younger students. But at the bottom :
a pilgrim pauses in his meditation at the shrine of an 11th century Sufi saint. ‘photo by Reza’.
And so it goes. This is the beginning of an idea- way out early when it can turn into anything- pure potential. I love this wide-open phase, but I also dearly love the drawing in progress where I have limited the options and am fairly certain that I know more or less, what the outcome will be. I have collapsed the wave, the work is done and all I have to do is color in the lines. for the Merlin, however, the work hasn’t really started yet.
The Journey 