Archive | January, 2016

Drift, wait and obey

26 Jan

kiplingToday is one of those days. I feel a shadowy presence roaming along the borders of my consciousness. I sense it there, unformed; a half-life seeking birth and expression. Its lack of definition offers me unrest and dis-ease.  I understand. I used to let these vague feelings of non-being  permeate my entire day, my entire being – I identified with it. Now I realize that I am (rather considerately) being warned that the ground is about to shift under my feet and that I must pay attention. Knowing this, I will happily go about my business without the depression and ennui that once took my days. I am waiting for the birthing of…something.

I know now that ‘The Daemon’ is in charge. The daemon is the ancient Greek concept of our genius- that outer entity that is half responsible for our creative work. As Elizabeth Gilbert shares so brilliantly in her TED talk on ‘your elusive creative genius’, we are not solely responsible for our creativity- our job is to just show up at the desk, in the studio, wherever we do our work. The Genius’ job is to provide, well, the genius. We must put the work in, we must ask the questions, we must agonize over the problem at hand. And once we come to that frustratingly terrible impasse, that point at which we often give up in frustration- that is the moment the call goes out. My yoga instructor told me last week that you are not really ‘in the pose’ until you are ready to come out of it. Right? The Genius is just like that. It’s when we are calling it a day that the real work has been done.

I once heard a lovely story about Monet. It was said that he had a spot in his garden where his neighbor would often see him sitting in the sunshine, doing nothing. ‘Ah, the life of a painter- all work!’ joked the neighbor. ‘Indeed’ said Monet, ‘when I sit here, you are watching me work. When I paint- that is the easy part.’ When we are inspired- filled with the spirit of the thing- it takes us over and it moves us. There is no thinking, just doing, and we rarely have doubt concerning what is to be done. Beautiful clarity, flow and fitting of things together.

When your daemon is doing its thing, however; offering no resistance is the key to one’s sanity. It is best to just ‘drift, wait and obey’.  This was Rudyard Kipling’s mantra and was also successfully used by Harold Arlen, the famous Hollywood composer, who  seemed to have brilliant song lyrics just fall into his lap. How did he do it? ‘I drift, wait and obey.’ Like Monet, and all creatives, he had agonized over the problem at hand, tried to come up with his own brand of amazing, but just couldn’t get it. Then…he let it go. Went for a drive with his wife as the story goes. Suddenly he was scribbling away like a maniac in the car, the words for Somewhere Over the Rainbow appearing in dazzling perfection for The Wizard of Oz.

Allow for this drifting. Be patient with waiting. It’s hard for me today, I want to be busy. I want to feel ‘productive’.  However, I know better than to fight it. I know better than to help the butterfly out of the cocoon. This birth must happen on its own terms, in its own time. Will it be stunning? Amazing? Fireworks of brilliance? Who knows? Far more likely scenario: a subtle revelation of something incredibly obvious that has finally moved from my head to my heart – a slow burning thing that will change my life from the inside out.

I put my pens and paper away today. I will do as Kipling did- take a walk in the lush Sussex countryside  snow covered suburbs – and be at peace with the process. My process. I welcome the help; glad the Muse has shown up as anticipated. I call, she comes. That’s the job of a genius after all. It is helpful to know this now, to know that I must watch and wait. Many times over the years, I have given up in frustration, only to stay closed as the many signs appeared that were to guide me to my next adventure. I called, The Genius showed up- and I missed it, cursing her lack of attention.

But she is my other half, for better or for worse, in sickness, and health; my ancient partner in creativity and life. Maybe I’ll light a candle to honor her coming – or burn some incense. I think she’d appreciate this more than a plate of cookies with milk, the typical offering for quasi-real people who magically enter the house bearing gifts. It’s comforting to know my work is done and I can have open mind rather than obsessive mind. I can allow time to work on my breathing and create the necessary inner space for transformation.

I wonder who you are?!

19 Jan

I wonder who you are?!

‘I am an artist.’ ‘I’m a dentist.’ ‘I’m a grad student.’ ‘I’m a raging lunatic.’

Standard answers that indicate our affiliations: (‘I’m a Spartans fan’, I’m a Christian, I’m a Democrat ) our jobs (‘I’m a mother’, ‘I’m a dentist’) or other identities we hold dear. So dear they’ve become us; define us. (I’m an American, I’m French) We add qualities: ‘Yes, but- I’m also a creative, an intellectual, a foodie, a student.’ We go to great lengths to separate ourselves from each other, to become distinct, with a cluster of talents, preferences, titles, accessories and addresses that cost us most of our time, energy and money. The price of our individuality. Our identity, names, bank accounts. diplomas and fancy cars are important. They are just not all – important.

Underneath this artisanal, hand-crafted persona lies a vast and relatively under- explored commonality that has no name, no preference, no identity other than it is, and somehow; we are part of that. We are a plurality – a enormous wave/web of conscious humanity inhabiting this world together, at this exact moment.  Despite all our careful differences, we have the exact same journey. One day we are here – and one day, we will take our exit.

How much more helpful, healing and unifying would it be if we allowed ourselves to also have the big conversations – the explorations that most often start with ‘I wonder’ and end with “I don’t know.” Telling the stories of  life and death – allowing for everything that happens in between – is a most human behavior, having served our species well for millions of years. These conversations quickly place us on the same level;  in the same boat, part of something much larger than just one of us and our 70 -odd years of life. We have learned to have our conversations not from a place of awe and wonder, but in the hopes that the answers will further define us. Further us as individuals. We swap quality for quantity; curiosity with certainty. We no longer know ourselves; yet we try to define each other.

To define: 1) state or describe exactly the nature, scope, or meaning of. 2) mark out the boundary or limits of.

To know: 1) have developed a relationship with (someone) through meeting and spending time with them; be familiar or friendly with. 2) be aware of through observation, inquiry, or information.

‘Know Thyself’ was the notice to visitors placed in the forecourt of the Temple at The Oracle at Delphi. A beautifully open ended exploration of possibility. Who are we? I don’t know. I have this lifetime. I can mark out my boundaries – or be familiar and friendly with myself? I know I’m nit-picking a little here – it’s not so black and white as this. I am re-thinking my need to define myself and wondering what a less defined me would look like.

At the end of my time, will my cultural, historical, political, racial, gender, social, psychological, intellectual bias be what I identify with? Maybe. I hope not. It seems so small, arbitrary and  petty. I want to grow beyond my silly labels and identifications. I’m kind of done with being an lone individual. I’d like to be in the collective – identifying more with my fellow travelers, communing deeply, having those conversations that end up with wonder rather than answers. I’d like to quit figuring out who I am and just know that I am and get on with it. I’d like to live impeccably- knowing that if today is my day to go, well, I’m ready, no regrets. I want to love my life, my breath, my being here now. I’d like to continue to find our difference interesting and breath taking rather than grounds for judgment and separation. I want to be more  honest, and talk about common experiences,  fears,  disappointments,  joys, the feelings and confusions that actually make up a life. I really don’t care about the degree on your wall, or what you read last week, the color of your skin, or which sushi you like best.

All I really care about is how all those things combine into the beautiful being I see before me. I would like to know you; to wonder about you. For now, that’s enough.

 

 

 

David Bohm on art

14 Jan
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The eternally amazing David Bohm

As a kid/young adult, one of my favorite radio programs was New Dimensions Radio – with Michael and Justine Toms. Michael interviewed physicist David Bohm and I feel the resonances of that talk rippling across the years of my life. The New Dimensions site is temporarily down today, but it’s well worth checking out their archives and interviews when they’re back up and running. I can’t think of many people in the 80’s and 90’s that Michael Toms didn’t interview. Fabulous resource about who and what influences our world.

David Bohm on the Word ‘Art’

” Considering the word art: The original meaning of this word is ‘to fit’. This meaning survives in articulate, article, artisan, artifact and so on. Of course, in modern times the word art has come to mean mainly ‘to fit, in an aesthetic and emotional sense’. However, the other words listed above show that art can also call attention to fitting in a functional sense.

The fact that we are hardly aware of the syllable art in words such as articulate or artifact is an indication of an implicit but very deeply penetrating fragmentation in our thought between the aesthetic, emotional aspects of life and its practical functioning aspects. This fragmentation tends to operate also in the meaning of the word beauty, which is ‘to fit in every sense’. Nevertheless, this word also tends mainly to emphasize aesthetic and emotional fitting.

It can be seen that, in a very profound sense, all these activities are concerned with fitting, i.e. with art. All that man does is a kind of art, and this implies skill in doing things, as well as perception of how things fit or do not fit. This is indeed self-evident for the visual or musical artist as well as for the artisan. It is true also for the scientist and the mathematician, but less evident.

It is clear, then, that reasoning is to be regarded as an art. And thus, in a deep sense, the artist, the scientist, and the mathematician, are concerned with art in its most general significance, that is, with fitting.” — David Bohm; The David Bohm Society

Bohm also saw artists as people who were fundamentally trying to change the meaning of life by challenging the conventions of the past. His fascination with linguistics led him to all sorts of crazy interesting speculations and perspectives. In his interview with Toms, he touched on the idea of beliefs.  He pointed out that our word ‘belief’ comes from the German  ‘Glauben‘: meaning “to hold dear, esteem, trust’. Our beliefs therefore, are quite literally, our beloveds and we have a hard time of it when they are challenged.

Artists, being primarily concerned with art; with the way things fit together, are prone to challenge our beliefs, our beloveds, continually. This is part of the blessing and curse of living the creative life. I am finding as I get older that more and more of my beliefs/beloveds do not fit. Emotionally, I have outgrown them, aesthetically they hang about me like a shroud and as for functionality – not so much.

For today, I am not going to try on a new set of beliefs for size – I am merely trying not to pick up all the out-dated wrappings that I cover myself in every day, without fail. It is uncomfortable- I feel myself grasping for the structure these beliefs provide, the known security I often hide behind – and yet, as an artist, constantly challenging myself to discover and incorporate the new- whether technique, concept or tool – I find this clinging conceptually odd.  Beliefs are good. But they are they beloveds? If I am an artist; concerned with how things fit, then I must be aware when things do not fit. Ah yes. The beliefs that no longer fit are not who-I-really-am anyway; they are artifacts; things of historical interest. Today I will leave them on the shelf in my imaginary room of curiosities…

Reality is what we take to be true. What we take to be true is what we believe. What we believe is based upon our perceptions. What we perceive depends on what we look for. What we look for depends on what we think. What we think depends on what we perceive. What we perceive determines what we believe. What we believe determines what we take to be true. What we take to be true is our reality. ~David Bohm

…and I will change the meaning of my life; doing what the artist does best.

good books

13 Jan

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One of my favorite books. If I get stuck, it becomes the voice of my muse- a quick way to connect myself back to that inner place where things are not always as they seem.

p.231 – He’s been talking of women, in their traditional/ancient roles of courtesan (proficient in arts, literature and talk) housewife and the lovely, astonishing “Amazon” as he calls her:

‘There is a story about the daughter of the King of France, who’s been kidnapped by the Muslims. After she and a Muslim fall infinitely in love, she is rescued by her family and brought back from Islam. Her Muslim lover follows, recaptures her, and now, as they are running to escape from this military group of brothers who are trying to take her back, she says to him, ‘How good are you with your sword?’ He says, ‘No good. I’m just good in bed.’ ‘Well, she replies, ‘you go on then, and I will take care of this bunch.’ It’s a wonderful story, one of the best in the world, and it’s worth looking for in the Arabian Nights’

Crazy goodness. We are so smart, so bright, so capable. I’m thankful to live in a time where we are able to be educated, heard and treated as human beings rather than property…women have a vast, collective, repressed shit ton of wisdom to discover consciously. We have a lot to get out, and put into the collective. Joseph Campbell certainly recognized this. His sister was a sculptor and he hung out with a lot of artists over his life time. Teaching at Sarah Lawrence College allowed him to explain to hundreds of women how to have their own adventure, come to terms with their own wisdom:

 Women will have their families, marriage, daily chores, work, and then, when they are fifty, and their families have been launched, there they’ll be. And it was my intention to give them this spiritual message of how to read the world in the second half of life’s journey.’

This book does just that. Not for the faint-hearted or close-minded. Only for the adventurous, who aren’t afraid of picking up that sword now and again.

Taken from my Tumblr post this morning: janetbalboa.tumblr.com

You belong.

12 Jan

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Some days it just good to know that you’re alive. That you have a pulse and that you’re breathing. That’s all we really have anyway.

Our connection to Life- through our breath- is the most sacred, the most Holy spot on earth. Our breath is in fact, the center of our personal little universe. It’s what holds us together and what binds us as one with all of life.

We are the Lords and Ladies of the great eternal dance around and about the Mystery that contains and sustains and delights in each and every one of us. We Belong. Delightful!

Eraser Magic

7 Jan

As if by magic, but actually by eraser, her hand is gone. It was awkwardly coming up from the lower left hand corner, and was weirdly small. This is another thing I love about this technique: eraserability (no, not actually a word says my spellcheck. really? It’s perfect.) The ability to be erased. Nice.

Anyway, using the Verithin pencils is also helping- they are hard, unlike the regular prismacolors, so not as much pigment stains the paper; allowing for easier disappearing acts.  This is also marker paper which is very forgiving when it comes to erasing. I also have a very light hand and tend to deposit colors slowly, building them up gradually in intensity.

Indeed a work in process. It was (as always ) meant to be a simple practice, but it gets carried away with itself. I’m not sure if I’m going to outline everything in India ink either. Big style change? Don’t know. But a completely different technique; which means that I have no idea what it’s going to look like. I know what I would like it to look like- from a color perspective- but what I want and what I’ll end up with can be very different.

 

 

 

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Verithin pencils

6 Jan

I’ve added more colored pencil- prismacolor verithins. This helps me block out the darks and make sure the all over color is going to be balanced. I used copic marker  (E00 + E21) for her neck- checking how the color of the pencil shading will show through. What’s great about this technique is that the pencil can still be erased and played with, even with a light layer of marker on top of it. I’m working, for better or worse, on marker paper, which I love because I get all the brightness and vibrancy of watercolor- with marker and colored pencils. Yum.

I hauled the photo into photoshop to brighten and sharpen the image a bit- it is very light and sketchy right now so I boosted the contrast so that its easier to see. I also cropped it for this post.

work in progress

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This is the actual picture, on an 11 x 14 paper.  The image has a large celtic knot border and intricate knotwork along the inside of the circle. She is Bridget I think. Or my fondness for spring and warmth and light coming back. But most of all? It’s the fact that I am drawing, and in the studio. After The Holidays – that’s an accomplishment in itself.

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practice practice practice.

2 Jan

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I have had someone ask me to draw Merlin. So I am practicing. And this is how I practice. Grab a magazine cover and the markers. I chose this cover initially, because I loved this man’s intense stare, thinking that to my mind, a Merlin may in fact have a similar countenance.

This is only the cover of the magazine. I work it Creative Arts, a local art studio, and we devour magazines for portrait and gesture studies, so more often than not, the magazines rarely survive intact. After I had finished, several students and I tore the place apart hoping to find the rest of the magazine. We found the contents page, mostly covered with acrylic paint and marker, apparently a well loved palette for the younger students. But at the bottom :

a pilgrim pauses in his meditation at the shrine of an 11th century Sufi saint. ‘photo by Reza’.

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And so it goes. This is the beginning of an idea- way out early when it can turn into anything- pure potential. I love this wide-open phase, but I also dearly love the drawing in progress where I have limited the options and am fairly certain that I know more or less, what the outcome will be. I have collapsed the wave, the work is done and all I have to do is color in the lines. for the Merlin, however, the work hasn’t really started yet.